Mabel Negrete: Difference between revisions
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{{ | {{NBS}}http://mabelnegrete.com<br> | ||
https://www.linkedin.com/in/mabelnegrete/ | https://www.linkedin.com/in/mabelnegrete/ | ||
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[[File:MabelNegrete.png|300px|thumb|right|Mabel Negrete.]]'''Mabel Negrete''' {{gives}}<blockquote>I am a performance artist, designer, activist, researcher and educator who works nowadays with the Counter Narrative Society to transform the weight I carry from witnessing ''the invisible punishing machine''.<br><br>I was born in Chile and about 20 years ago I made the USA my home (in the Bay area of San Francisco). In 2007, I founded the Counter Narrative Society (CNS), a research unit that works to initiate counter narratives about bio-power, urbanism, culture and technology. In 2009, I joined the MIT program in Art, Culture and Technology and under the CNS started to ask the question, what is mass punishment? In the process of tinkering with ideas, traveling and learning about practices and theories of social control, statehood, criminology and the habitus, I discovered that I was looking at the invisible punishing machine.</blockquote> | [[File:MabelNegrete.png|300px|thumb|right|Mabel Negrete.]]'''Mabel Negrete''' {{gives}}<blockquote>I am a performance artist, designer, activist, researcher and educator who works nowadays with the Counter Narrative Society to transform the weight I carry from witnessing ''the invisible punishing machine''.<br><br>I was born in Chile and about 20 years ago I made the USA my home (in the Bay area of San Francisco). In 2007, I founded the Counter Narrative Society (CNS), a research unit that works to initiate counter narratives about bio-power, urbanism, culture and technology. In 2009, I joined the MIT program in Art, Culture and Technology and under the CNS started to ask the question, what is mass punishment? In the process of tinkering with ideas, traveling and learning about practices and theories of social control, statehood, criminology and the habitus, I discovered that I was looking at the invisible punishing machine.</blockquote> | ||
==Info== | ==Info== | ||
*[ | |||
*[ | *[https://mabelnegrete.com/blog/2012/09/12/artiststatement2012/statement/ Artist Statement] | ||
*[https://mabelnegrete.com/archive/ Archive] | |||
*[http://dspace.mit.edu/handle/1721.1/70384 Master Degree Thesis - MIT 2012.] | *[http://dspace.mit.edu/handle/1721.1/70384 Master Degree Thesis - MIT 2012.] | ||
==See Also== | ==See Also== | ||
*[[Counter Narrative Society (CNS)|Counter Narrative Society]] | *[[Counter Narrative Society (CNS)|Counter Narrative Society]] | ||
*[[SPARKmakers]] | *[[SPARKmakers]] | ||
*[[Indigenous 215 - Collective]] | |||
*[[Indigenous Peoples Day Philly]] | |||
[[Category:Is-Artist]][[Category:Is-Individual]][[Category:Is-Personal_Page]][[Category:Is-Personal_Web_Site]][[Category:Issue-Prison_Industrial_Complex]] | [[Category:Is-Artist]] | ||
[[Category:Is-Individual]] | |||
[[Category:Is-Personal_Page]] | |||
[[Category:Is-Personal_Web_Site]] | |||
[[Category:Issue-Prison_Industrial_Complex]] | |||
[[Category:Is-Activist]] | [[Category:Is-Activist]] | ||
[[Category:Issue-Placemaking]][[Category:Does-Placemaking]] | [[Category:Issue-Placemaking]] | ||
[[Category:Does-Placemaking]] | |||
[[Category:Does-Socially Engaged Art]] | [[Category:Does-Socially Engaged Art]] | ||
[[Category:Issue-Socially Engaged Art]] | [[Category:Issue-Socially Engaged Art]] | ||
[[Category:Issue-Indigenous People]] | |||
Latest revision as of 09:27, 11 October 2021
http://mabelnegrete.com
https://www.linkedin.com/in/mabelnegrete/
Mabel Negrete gives the following descriptive information:
I am a performance artist, designer, activist, researcher and educator who works nowadays with the Counter Narrative Society to transform the weight I carry from witnessing the invisible punishing machine.
I was born in Chile and about 20 years ago I made the USA my home (in the Bay area of San Francisco). In 2007, I founded the Counter Narrative Society (CNS), a research unit that works to initiate counter narratives about bio-power, urbanism, culture and technology. In 2009, I joined the MIT program in Art, Culture and Technology and under the CNS started to ask the question, what is mass punishment? In the process of tinkering with ideas, traveling and learning about practices and theories of social control, statehood, criminology and the habitus, I discovered that I was looking at the invisible punishing machine.